Scarlet Witches #3 was written by James Robinson (who has been ok at best on this series) with art by Steve Dillon and Frank Martin (Scarlet Witch has a different art team every issue).
Things I like about Scarlet Witches #3:
1.) I kind of like how Steve Dillon (with Frank Martin on colors) plays it as it lays. After more heavily stylized Wandas in #1 and #2, now we have a standard comicbook Wanda. Cleavage, check. Hair that’s sultry but without a lot of personality, check. Pouty comic book lady face, check. I kind of like this cranky, low-affect Wanda, and I like that she is darker-skinned and darker-eyed in this issue. She was looking downright WASPy in #2.
2.) My favorite thing Dillon and Martin do is a few landscape panels that go farther than anything else in the issue (definitely including the writing) to transmit a spooky mood and a sense of place.
3.) The teaser for Scarlet Witch #4 at the end, with Chris Visions’s pages, is a sight for sore eyes. It looks really rich and individual, full of red hues and expressive lines. It looks like we might be getting back to the early promise of Scarlet Witch #1, by Vanesa Del Rey and Jordie Bellaire.
4.) James Robinson leaning into Irish brogue is the best opportunity he’s given us so far to work on enjoying a badly written story. Sometimes I’m jealous of the women in my book club who seem to experience novels not as artifacts crafted by a mind but as gossip and folklore that has been downloaded directly into their brains.I enjoy the feeling that we are sitting around a fire talking about people we know. It curbs some of my natural over-thinking. If they were like me, we would kill the novel and take it apart. Most of these women just want to talk about how a character reminds them of their ex-husband, and then there are more details about the ex-husband and everybody forgets about the book for awhile. There is a strong argument to be made that their way of consuming stories is more valid than mine.
At the end of the day: Yes, let’s talk about the end of the day. Lately they’ve been a certain kind. The last three weeks have been long work days full of problem-solving and fire-dousing in the middle of a lot of emotions, politics, and uncertainty. I leave the house at 5:15 in the morning, get home about 12 hours later, skip dinner, and crawl in bed with comic books. I can’t keep up this pathetic routine too much longer without permanent damage to my self-esteem, but for now my total lack of ambition outside of work has been getting me through. So you know, what does a comic book like Scarlet Witch #3 do for me in a situation like that? In my bed with a fried brain? All in all, Scarlet Witch #3 is like a candy bar you used to like as a kid, but now they make it with slightly different ingredients and it’s not as good, but you go through the motions. Hoping that flipping those flimsy pages will make you feel better, that you can recapture some of that magic just from the gestalt of what a comic book is instead of the comic book itself.
Mirror #1 by Emma Rios and Hwei Lim on the other hand? This book met me halfway; this book met me more than halfway. This book came gliding over to me, fresh and intelligent and full of authentic emotion. It was a balm I didn’t have to work for, a revelation. We could have a debate about whether Scarlet Witch #3 justifies its own existence. But when our brains are too tired for debate, its a book like Rios and Lim made that has the power to restore.