All the Scarlet Witches: Del Rey & Bellaire

I like that James Robinson is writing a Scarlet Witch series that is all stand-alone stories and a different artist for each story. Vanesa Del Rey and Jordie Bellaire so totally owned the character and story in the first issue, though, I’m not sure anyone else will be able to measure up. Right now it looks like issue after issue will come out, and we’ll just sigh and think “Remember that time that Vanesa Del Rey and Jordie Bellaire drew Wanda Maximoff?”

SW1 facing pages

I’m planning to follow the series because I like this sort of thing, where some variables (writer, character, letterer) stay the same and another (art) is switched. It’s a good set up for story science. I know now that the Del Rey/Bellaire issue is the one that will have to be the benchmark all the others are compared to. What I don’t know is if I’m ever going to actually read the words.

I “read” the Del Rey and Bellaire issue several times, poring over the art, before I realized I hadn’t actually read it. And then when I went back and consciously set out to read it, I just got bored and bogged down and wanted to stop. A lot of conversation, a lot of reflection, a lot of exposition — and I couldn’t latch on. The art is where it’s at.

From the first pages, Del Rey (pencils & inks) and Bellaire (color) lock in this dusky aesthetic. There’s the shadowy, magenta-bathed privacy of Wanda’s home. And then there’s the grey-scale grittiness of the city outside. In both places, Wanda’s red clothing pops against the background and her face is made luminous and expressive with minimal line work.

There’s a smudgy scratchiness to how Del Rey draws, but there’s something sharp, accurate, and reliable about her art. Clean white gutters between murky panels, columnar panels like the canyons of the city avenues, chevron panels coming down in smart Vs like her heroine’s angular nose and chin. And most of all — and Bellaire contributes to this — the aesthetic creates an uninterrupted dream featuring a particular person in a particular place. And that’s why I don’t care that I don’t care about the writing. This is confident, intuitive visual storytelling, and will be a hard act to follow.

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